Thoughts

After two issues of ninja mayhem and romantic stoicism, Claremont gets to develop a story of betrayal here, as Wolverine learns that maybe while he can’t win he should probably keep fighting. That, for all his animalistic qualities, he’s a man. With a dream, and a capacity to fight for it.

I think there’s enough in this story to vindicate the decision to not have Logan revealed to be a mutant Wolverine turned manlike by radiation. The heart of this story only works if Wolverine is a real person, behind the violence and gruff loner cliches.

There’s still shedloads of fighting in this, but the additional layers of narrative mean it doesn’t feel like more of the same after the last two issues. Things finally feel like they’re moving to conclusion.

Miller has been quoted as basing his Wolverine on Clint Eastwood, a step in moving the character towards being the quiet stoic loner of Eastwood’s numerous Hollywood films. I can’t quite see it though – he seems to possess enough of the Hook McCracken vibe that drove his creation. Maybe the true wildness has been lost – its hard to maintain such savagery in the face of boxes and boxes and boxes of his inner monologue exposition. But I think its still there

Finally, though, there’s the murder of a friend of Wolverine. Which is meant to heighten the drama but does feel like a shame. His friend in Japanese intelligence feels like a character that could develop over recurring appearances. Exactly the sort of character you’d want if you were wanting to devise a solo title. Maybe the reason he doesn’t make it is precisely because Claremont doesn’t want such a title quite yet.

Fun Panel

Miller’s reputation for the grim n gritty takes quite a pasting in this issue. At its best its a pop art riot of colour and dynamic visuals. Gorgeous stuff.